Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/107652
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dc.contributor.authorDavis, P.-
dc.contributor.editorMitsis, P.-
dc.contributor.editorZiogas, I.-
dc.date.issued2016-
dc.identifier.citationWordplay and Powerplay in Latin Poetry, 2016 / Mitsis, P., Ziogas, I. (ed./s), Ch.[10], pp.183-198-
dc.identifier.isbn9783110472523-
dc.identifier.urihttp://hdl.handle.net/2440/107652-
dc.description.abstractThis paper reflects on the changing nature of free speech in the Augu- stan period through an examination of episodes in its two most important epics. It focuses primarily on the council of the Latins in Aeneid 11 and a sequence of stories in Metamorphoses 2 and 3 in which outspokenness is punished. It is par- ticularly striking that while Virgil’s Drances can demand freedom of speech in a public context, freedom of speech in Metamorphoses exists only in private. This reflects, I suggest, the altered political circumstances between the 20 s BCE and the first decade CE.-
dc.description.statementofresponsibilityPeter J. Davis-
dc.language.isoen-
dc.publisherWalter De Gruyter-
dc.relation.ispartofseriesTrends in Classics - Supplementary Volumes; 36-
dc.rights© 2016 Walter de Gruyter GmbH, Berlin/Boston-
dc.source.urihttps://www.degruyter.com/view/books/9783110475876/9783110475876-010/9783110475876-010.xml-
dc.subjectFreedom of speech; Virgil; Aeneid; Ovid; Metamorphoses; Drances-
dc.titleFreedom of speech in Virgil and Ovid-
dc.typeBook chapter-
dc.identifier.doi10.1515/9783110475876-010-
dc.publisher.placeBerlin-
pubs.publication-statusPublished-
Appears in Collections:Aurora harvest 3
Classics publications

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