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Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/107854
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dc.contributor.authorPotter, L.-
dc.contributor.editorKerr, H.-
dc.contributor.editorWalker, C.-
dc.date.issued2015-
dc.identifier.citation'Fama' and her sisters: Gossip and rumour in early modern Europe, 2015 / Kerr, H., Walker, C. (ed./s), Ch.[3], pp.37-63-
dc.identifier.isbn2503541844-
dc.identifier.isbn9782503541846-
dc.identifier.urihttp://hdl.handle.net/2440/107854-
dc.description.statementofresponsibilityLucy Potter-
dc.language.isoen-
dc.publisherBrepols Publishers-
dc.relation.ispartofseriesEarly European Research; 7-
dc.rights©2015-
dc.source.urihttp://www.brepolsonline.net/doi/abs/10.1484/M.EER-EB.4.00079-
dc.titleTelling tales: Negotiating 'fame' in Virgil's Aeneid, Ovid's Metamorphoses, and Christopher Marlowe's Tragedy of Dido, Queen of Carthage-
dc.typeBook chapter-
dc.identifier.doi10.1484/M.EER-EB.4.00079-
dc.publisher.placeTurnhout, Belgium-
pubs.publication-statusPublished-
dc.identifier.orcidPotter, L. [0000-0003-1979-3939]-
Appears in Collections:Aurora harvest 3
English publications

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