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Showing results 19 to 37 of 37
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Issue Date
Title
Author(s)
2021
Le tayo de Nouvelle-Calédonie : un cas d’étude pour repenser les histoires des origines des langues creoles
Speedy, K.
;
Fillol, V.
;
Vandeputte, L.
2017
L’Ordre et la Morale: Looking Beyond the Transnational in a Non-indigenous Film About Recent Pacific History
Speedy, K.E.
2023
Majumbu ('Old Harry') and the Spencer-Cahill bark painting collection
Tacon, P.
;
Taylor, L.
;
May, S.
;
Goldhahn, J.
;
Jalandoni, A.
;
Ressel, A.
;
Mangiru, K.
2020
Maliwawa figures—a previously undescribed Arnhem Land rock art style
Taçon, P.S.C.
;
May, S.K.
;
Lamilami, R.
;
McKeague, F.
;
Johnston, I.G.
;
Jalandoni, A.
;
Wesley, D.
;
Sanz, I.D.
;
Brady, L.M.
;
Wright, D.
;
Goldhahn, J.
2022
Meet your meat! How Australian livestock producers are using Instagram to promote 'happy meat'
Buddle, E.A.
;
Contois, E.
;
Kish, Z.
2023
Mobile Game Design and Ergonomics: a necessary combination
Machado De Andrade, W.
;
International Conference on Applied Human Factors and Ergonomics (AHFE) (20 Jul 2023 - 24 Jul 2023 : San Francisco, California, USA)
2021
"Our dad's painting is hiding, in secret place": reverberations of a rock painting episode in Kakadu National Park, Australia
Goldhahn, J.
;
Biyalwanga, L.
;
May, S.K.
;
Blawgur, J.
;
Taçon, P.S.C.
;
Sullivan, J.
;
Johnston, I.G.
;
Lee, J.
2022
Paddy Compass Namadbara and Baldwin Spencer: an artist's recollection of the first commissioned Aboriginal bark paintings in Oenpelli, 1912
Goldhahn, J.
;
Taylor, L.
;
Tacon, P.S.C.
;
May, S.
;
Maralngurra, G.
2022
Picturing Nayombolmi: The most prolific known rock art artist in the world
Goldhahn, J.
;
May, S.
;
Tacon, P.
2022
Protection Regimes
Nettelbeck, A.
;
Cane, P.
;
Ford, L.
;
McMillan, M.
2022
Psychedelic therapy for body dysmorphic disorder
Johnson, S.
;
Letheby, C.
2020
Rethinking the age and unity of large naturalistic animal forms in early Western Arnhem Land Rock Art, Australia
Jones, T.
;
Wesley, D.
;
May, S.K.
;
Johnston, I.G.
;
McFadden, C.
;
Taçon, P.S.C.
2019
Review: Matthew Potter, British Art for Australia, 1860-1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries
Body, R.M.
2022
Rock Art and (Re)Production of Narratives: A Cassowary Bone Dagger Stencil Perspective from Auwim, East Sepik, Papua New Guinea
Tsang, R.
;
Katuk, S.
;
May, S.K.
;
Taçon, P.S.C.
;
Ricaut, F.-X.
;
Leavesley, M.G.
2022
Style and substance: McCarthy versus Mountford and the emergence of an archaeology of rock art 1948–1960
Clarke, A.
;
May, S.
;
Frederick, U.K.
;
Johnston, I.G.
;
Tacon, P.S.C.
;
May, S.
;
Frederick, U.K.
;
McDonald, J.
2020
Survival, Social Cohesion and Rock Art: The Painted Hands of Western Arnhem Land, Australia
May, S.K.
;
Taylor, L.
;
Frieman, C.
;
Taçon, P.S.C.
;
Wesley, D.
;
Jones, T.
;
Goldhahn, J.
;
Mungulda, C.
2018
The archaeology of Maliwawa: 25,000 years of occupation in the Wellington Range, Arnhem Land
Wesley, D.
;
Litster, M.
;
O’Connor, S.
;
Grono, E.
;
Theys, J.
;
Higgins, A.
;
Jones, T.
;
May, S.K.
;
Taçon, P.
2021
The missing Macassans: Indigenous sovereignty, rock art and the archaeology of absence
May, S.K.
;
Wesley, D.
;
Goldhahn, J.
;
Lamilami, R.
;
Taçon, P.S.C.
2019
'This is my father's painting': a first hand account of the creation of the most iconic rock art in Kakadu National Park
May, S.K.
;
Maralngurra, J.G.
;
Johnston, I.G.
;
Goldhahn, J.
;
Lee, J.
;
O'Loughlin, G.
;
May, K.
;
Nabobbob, C.N.
;
Garde, M.
;
Tacon, P.S.C.