Hybrid Percussion Technique: Its Application in Solo Percussion Performance

Abstract

This performance-based study presents the development of a new technical approach, termed here Hybrid Percussion Technique (HPT), and its application to the solo repertoire for five main percussion instruments — snare drum, timpani, marimba, vibraphone and multiple percussion. First, six basic motions adapted from the elliptical Moeller stroke are identified, and how they can be used to play the forty snare drum Rudiments is discussed. Second, these basic motions are applied in simple form, in combination or extended form to snare drum and timpani works, including the Philidor and Carter Marches. Third, the technique is applied to the remaining instruments (marimba, vibraphone and multiple-percussion) by adapting the strokes to include lateral motions to accommodate the increasing spread of instruments in performance, ranging from wrist rotations, to elbow, shoulder and full body-leading and incremental strokes. The results of the research are documented in four folders which include recordings of works such as Xenakis’s Rebonds b and Psappha, Schwantner’s Concerto for Percussion and Orchestra, Zivkovic’s Ultimatum 1 and Abe’s Variations on Japanese Children’s Songs. An exegesis provides commentary on the study’s outcomes and includes one additional folder with selected video excerpts from the repertoire to illustrate the discussion.