Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/139639
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dc.contributor.advisorWalker, Claire-
dc.contributor.advisorNettelbeck, Amanda-
dc.contributor.authorWaye-Harris, Grace Samantha Hickey-
dc.date.issued2023-
dc.identifier.urihttps://hdl.handle.net/2440/139639-
dc.description.abstractWhile dress historians have long recognised clothing as an essential feature of court life in sixteenth-century Europe, its value to other areas of scholarly inquiry has often been overlooked. The ephemeral nature of medieval and early modern dress, and the moralised and gendered assessments of fashion in modern society created the perception that dress studies were an intellectually superficial pursuit. The material turn in historical scholarship, however, has resulted in growing scholarly appreciation for the semiotics and application of dress. This has resulted in work that explores fashion’s interaction with, and functions within, culture, religion, economics and politics. The material turn also gradually permeated the traditionally held state-centric field of diplomacy. Diplomacy is now recognised as a highly material practice. Each new study advances scholarly understanding of the individual and collective significances of objects and things. Attention to the material complexities of sixteenth-century European affairs has contributed to a broader understanding of sixteenth-century diplomacy as a socio-cultural and trans-cultural practice. This thesis advances scholarship on sixteenth-century diplomacy and dress by illustrating the extensive functions of clothing within diplomacy during the life and reign of Henry VIII (1491-1547). It posits that dress informed, and was informed by, the everchanging political environment of sixteenth-century Europe. As a tool of diplomacy, apparel crossed cultural boundaries, involved an array of diplomatic actors and performed key functions within diplomatic practices which were themselves rooted in socio-cultural norms of gender, hierarchy, ceremony, ritual and protocol. This thesis will define the workings and significances of fashion for participants engaging in these practices. It reveals new intricacies and nuances in the complex and enterprising nature of sixteenth-century European relations. It asserts greater attention should be paid to the significance of clothing in politics, diplomacy and everyday court life in early modern Europe.en
dc.language.isoenen
dc.subjectdressen
dc.subjecthistoryen
dc.subjectdiplomacyen
dc.subjectTudorsen
dc.subjectHenry VIIIen
dc.subjectfashionen
dc.subjectpoliticsen
dc.subjectearly modernen
dc.subjectRenaissanceen
dc.subjectcourt ritualen
dc.subjectdiplomatic practiceen
dc.subjectperformanceen
dc.subjectmonarchyen
dc.subjectimageen
dc.subjectspectacleen
dc.titleFashion Diplomacy at the Court of Henry VIIIen
dc.typeThesisen
dc.contributor.schoolSchool of Humanities : Historical and Classical Studiesen
dc.provenanceThis thesis is currently under embargo and not available.en
dc.description.dissertationThesis (Ph.D.) -- University of Adelaide, School of Humanities, 2023en
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