Please use this identifier to cite or link to this item:
https://hdl.handle.net/2440/15892
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | McCarthy, G. | en |
dc.date.issued | 2004 | en |
dc.identifier.citation | London Papers in Australian Studies, 2004; 8:1-30 | en |
dc.identifier.issn | 1746-1774 | en |
dc.identifier.uri | http://hdl.handle.net/2440/15892 | - |
dc.language.iso | en | en |
dc.publisher | King's College London, Menzies Centre for Australian Studies | en |
dc.subject.lcsh | Aboriginal Australians in motion pictures. | en |
dc.title | Australian cinema and the spectres of post-coloniality: Rabbit-Proof Fence, Australian Rules, The Tracker and Beneath Clouds | en |
dc.type | Journal article | en |
pubs.publication-status | Published | en |
Appears in Collections: | Aurora harvest 6 Politics publications |
Files in This Item:
There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.