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PreviewIssue DateTitleAuthor(s)
2013Deconstructing the dumpling: Australia, China, lived connectionsJose, R.
1998The Demidenko Affair: Who Writes, and Who Reads?Mares, F. H.
2022Denise Varney, Patrick White’s Theatre: Australian Modernism on Stage, 1960–2018Pender, A.
1999Deprivation and excess in the novels of Emile ZolaWaldron, P. J.
2019Detours and Divagations: Consciousness, Otherness and HospitalityCastro, B.A.; Green, J.
2012Dialect poetry and the need for performance: the case of William BarnesBurton, T.; Gingell, S.; Roy, W.
2009Dialect poetry, William Barnes and the literary canonBurton, T.; Ruthven, K.
2007Diary of a bad yearCoetzee, J.
1999Did he smile his work to see?' The Compelling Aesthetics of Murder in The Silence of the LambsMcEntee, J.
1999Do You Want To Play with Fire, Little Boy?' David Lynch and the Masculinity of HorrorPaxton, A.
2019Does function follow form? Openness and formal association in the early poetry of John ForbesColeman, A.N.
2009Dog boyHornung, E.
1999Don't Mention the Ward: The Phantom of Shell Shock in Pat Barker's The Ghost RoadMackinnon, Jeremy
2013Dorothy's career and other cautionary talesGerrish Nunn, P.; Hadjiafxendi, K.; Zakreski, P.
2005Double-WolfCastro, B.
2011DriftCastro, B.
2002Drum magazine (1951-59) & the spatial configurations of genderDriver, D.
2003Due preparations for the plagueHarrow, Janet Gail
2017Eclipsing the Bard and Prince of DenmarkColeman, A.
1996Editors' Questions and Directors' Decisions: About Some Scenes in Antony and CleopatraMares, F. H.