Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/21706
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dc.contributor.authorSugg, Andrew Normanen
dc.date.issued2001en
dc.identifier.urihttp://hdl.handle.net/2440/21706-
dc.descriptionIncludes bibliographical references (leaves 350-359).en
dc.descriptionxi, 359 leaves : music ; 30 cm.en
dc.description.abstractInvestigates the influence of Coltrane's music on the improvising of post-Coltrane saxophonists by inspecting selected improvisations of Jerry Bergonzi and David Liebman and comparing them to improvisations by Coltrane on the same repertoire piece. The comparision also demonstrates how two current jazz saxophonists have drawn on the past - the legacy of Coltrane - to create innovative music in the present.en
dc.format.extent39382 bytesen
dc.format.mimetypeapplication/pdfen
dc.language.isoenen
dc.subject.lcshColtrane, John, 1926-1967 Influenceen
dc.subject.lcshImprovisation (Music)en
dc.subject.lcshJazz Analysis, appreciation.en
dc.subject.lcshJazz musicians United States Biography.en
dc.titleTracking the trane: comparing selected improvisations of John Coltrane, Jerry Bergonzi and David Liebman / by Andrew Norman Sugg.en
dc.title.alternativeComparing selected improvisations of John Coltrane, Jerry Bergonzi and David Liebmanen
dc.typeThesisen
dc.contributor.schoolElder Conservatorium of Musicen
dc.provenanceThis electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exception. If you are the author of this thesis and do not wish it to be made publicly available or If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at: http://www.adelaide.edu.au/legals-
dc.description.dissertationThesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2001en
Appears in Collections:Research Theses

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