Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/65483
Full metadata record
DC FieldValueLanguage
dc.contributor.advisorKoehne, Graeme Johnen
dc.contributor.advisorBukovsky, Miroen
dc.contributor.advisorCarroll, Mark Stephenen
dc.contributor.authorAué, Johannesen
dc.date.issued2010en
dc.identifier.urihttp://hdl.handle.net/2440/65483-
dc.description.abstractThe study centers on a folio of compositions in the jazz idiom that calls for the combination of one or two classical chamber groups with a small jazz ensemble. The scores incorporate a musical aesthetic that retains what will be shown to be jazz sensibilities, but which is accessible to performers schooled in the classical tradition. The exegesis briefly discusses the musical influences that have been a part of my compositional aesthetic and approach and provides a detailed commentary of the principal features of the three works included in this portfolio. The portfolio contains three works: The Clown, for fourteen players; Into the Wood, for nine players; Time Frames, for 10 players.en
dc.subjectmusical composition; jazzen
dc.subject.lcshComposition (Music)en
dc.subject.lcshJazz.en
dc.subject.lcshChamber musicen
dc.title(E)merging idioms: integrating jazz and classical ensembles.en
dc.typeThesisen
dc.contributor.schoolElder Conservatorium of Musicen
dc.description.dissertationThesis (M.Mus.) -- University of Adelaide, Elder Conservatorium of Music, 2010en
Appears in Collections:Research Theses

Files in This Item:
File Description SizeFormat 
01front.pdf65.62 kBAdobe PDFView/Open
02whole.pdf3.05 MBAdobe PDFView/Open
03appendAudioCD.zip107.95 MBUnknownView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.